Even on an APS-C sensor body like the Sony A6500, the 85mm f/1.8 feels good, although 127.5mm as a focal length (with the crop sensor conversion) is admittedly a little less versatile. Sony a7RIII +  28mm f/2 FE | © Gold Hat Photography. Sony is committed not only to offering products, services and content that deliver exciting experiences but also to working towards our goal of a zero environmental footprint throughout our business activities. A new design significantly reduces overall length and front element size while maintaining the highest possible optical performance. You can also choose between a tactile click or a silky-smooth roll when twisting the aperture ring. This didn’t surprise me to be honest as I’ve fallen in love with almost every lens in Sigma’s Contemporary and Art series for mirrorless cameras so far! No. Sony a7RIII +  85mm f/1.8 | © Gold Hat Photography, So when I switched to Sony, I decided on the 85mm f/1.8 and haven’t looked back. Colour rendition is obviously also dependent on the camera used, but at least with the 55mm f/1.8 , you’ll know it’s not the lens letting you down! To get the full experience on Sony.com, please change your settings to allow JavaScript. Even wide open, the centre is impressively sharp, with image detail retained right up to the edges of the frame. Sony a6000 + 35mm f/1.8 | © Rambo Estrada. If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the Sony 55mm f/1.8. The ‘OSS’ refers to Optical Steady-Shot (image stabilization), a feature that is rare on prime lenses. Outstanding mobility and quiet, fast, precise autofocus make it ideal for shooting movies as well as stills. This is a great value medium range prime lens for your FE or E mount Sony. This roundup has been updated to include both native Sony FE lenses for full frame, Sony APS-C lenses for crop sensor, and the latest range of Sigma Art lenses for Sony. Let’s break those words and abbreviations down: Other Sony lens abbreviations you may see include: In the reviews below, I’ve removed the superfluous lettering after the main elements of each lens name in the interests of simplicity – feel free to click through to each lens on Amazon to see the entire lens name. What’s the difference between Sony E Mount and A Mount? Incidentally also the rest of my wide-angle collection is also Rokkors, i.e. Be sure to check out this guide to the best lenses for the Sony a6000 for some more Sony e mount lens recommendations for the crop sensor format, and my guide to the best Sony accessories for what I’m currently using with my Sony cameras. Highly recommended! As with the 55mm f/1.8 we discussed earlier, the 85mm f/1.8 achieves incredible amounts of detail – zooming in 100% with the Sony A7R III files is mind-blowing. The Sony 20mm f/1.8 G has two advanced aspherical elements and three extra-low-dispersion elements and a 7.5-inch close-focusing distance (making it an excellent option for close-up, wide-angle photography). Small and light as a lens cap, you can blur the background on the cheap, and the image quality is surprisingly good too. Let’s get the elephant in the room out of the way first – the 35mm f/1.4 is an expensive lens. I’ll be uploading some sample photos I took in Tokyo soon, but in the meantime, have a read about this incredible lens. To give you a bit of background, I used to shoot with two Nikon D750s, with 35mm and 85mm f/1.4 lenses (see my gear set up here). There are a few wide-angle options for APS-C owners. I was on the fence for a while whether to include the excellent Sony FE 35mm f/2.8 here instead, but realised that my love for that lens was mostly due to its size rather than its optical performance. I actually prefer this construction over an all-metal lens, since they’re just so much lighter. Rokinon’s wide angle lens is the best you could get at an affordable price. classic focal length for portrait photographers, this guide to the best lenses for the Sony a6000, FE – any lens that covers a 35mm sized sensor (designed for use on Sony’s full frame mirrorless cameras), G – ‘Gold’ lenses are Sony’s highest quality professional-grade lenses, OSS – ‘Optical SteadyShot’ is Sony’s in-built lens image stabilization, ZA – ‘Zeiss Alpha’, or any Sony lens featuring Carl Zeiss, SSM – ‘SuperSonic Motor’ is for extremely fast and silent Autofocus, SAM – ‘Smooth Autofocus Motor’, usually seem on Sony’s lower-end lenses, ED – ‘Extra-low Dispersion’ glass elements designed to reduce chromatic aberrations, DT – ‘Digital Technology’, refering to lenses that are designed for Sony APS-C sensor cameras, SEL – Sony autofocus lenses designed for E-mount. Weighing in at 680g, this is one chunky lens, similar in proportions to the 35mm f/1.4 described above. If you can get close enough to the subject, the bokeh exhibited by the Sony 16-35mm f/2.8 is smooth and creamy, although to really maximise the effect, you’ll need to be shooting at 35mm. I wouldn’t want to drop it (obviously! So I have been using this Sony ZV-1 and loving it since it arrived. In addition to the upcoming Sony a7S III mirrorless camera, Sony is rumored to announce a new high quality GM wide angle lens in 2020. I prefer to assign the camera’s command dial to control aperture, but for fans of rangefinders or video shooters, using your other hand to adjust aperture can be convenient. With several lens manufacturers catering to the Sony E mount, as well as Sony’s own amazing lens lineup, you can’t help feeling a bit overwhelmed by choice! In my opinion, it’s the best prime lens for Sony crop-sensor camera owners who want a small and lightweight setup with excellent optical performance – it’s in many respects the perfect travel camera/lens combination. Wedding photographer or not, 35mm allows you to fit enough in the frame to tell the story, whilst at the same time being equally suited to shoot a solo portrait, group shot, landscape image, or anything else for that matter. Build quality is decent, although not the all-metal tank-like build you’ll see with G Master or Zeiss lenses. Paired with the Sony a7 or a9 series bodies which offer silent shooting, you can focus and shoot with no noise at all. I love the look of images shot at f/1.4, but felt that I could easily get by with f/1.8 – the trade off in light gathering ability was more than worth it for the reduction in size/weight and price. Zooming in 100% on images shot with the 55mm f/1.8 attached to a 42MP a7R III is mind-blowing – individual eye lashes look like wires on head shots which fill the screen with the 55mm. The Sony 28mm f/2 is also popular on Sony E mount bodies, providing a 42mm field of view. I’m a firm believer that small mirrorless bodies should be matched with small, lightweight lenses, and this is quite simply one of the best. The new lens features technology found in the highly-touted Sony G Master line in a compact and lightweight design at less than $1000. If you’re looking for a wide angle zoom lens with the best image quality and can justify the price tag, there simply isn’t a better option than the Sony 16-35mm f/2.8. In 2019 Sony released the new Sony a7R IV, a6600, a6400, a6100 and RX100 VII cameras and several new E-mount lenses: That’s really a busy year for Sony. Focus mode switch. Be among the first to get the latest This lens is also amazing for architecture photography for this reason, although at 55mm you’ll obviously need to be able to stand back far enough to fit the subject of your photo in completely. 28mm is a somewhat unusual focal length, and it did admittedly take me a little time to get used to. With the sun at your back, images out of the 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. Providing a 35mm-equivalent focal length of 18mm and a broad 98.9° angle of view, this lens is great for interior, landscape, and architectural images. Compatibility: Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 45 mm (length) Weight: Approx. A customizable focus hold button provides extra control versatility, while dust and moisture resistant design means reliable operation even in challenging conditions. The exact focal length and aperture are still unknown at the time of writing. Many photographers come to Sony from Nikon or Canon, so their first question is whether they can still use their existing non-native lenses on their new Sony body. 12 watching. Now that you’ve got over that initial shock, why the heck am I recommending such expensive glass in a roundup that’s supposed to cater for the average photographer?! So for a crop sensor prime lens such as the 24mm f/1.8 to cost almost as much as the camera itself (see latest price here), you’re going to ruffle some feathers amongst hobbyists! The size and weight balances nicely on the Sony a6XXX series bodies. Focusing ring / 5. It is an excellent choice for dynamic landscape and architecture photography. The above lens is the Sony FE 70-200mm f/4 G OSS. Sony, EXTRA BASS and its logos are trademarks of Sony Corporation. A newer version of your browser may be available, Ultra-Wide for Dynamic Spatial Expression. Well first off, attaching this lens to your Sony crop sensor body transforms it into a 35mm equivalent focal length with a fast f/1.8 aperture. Lens; Low light lens; Portrait lens; Wide angle lens; Landscape lens; Telephoto lens; Macro lens; Sports lens; more Lens mounts. Best Wide Angle Zoom: 16-35mm. Let’s start with the bad news – this is one expensive lens. I have to say that the auto-focus speed of the 35mm f/1.8 when mounted to the Sony a6000 wasn’t amazing, especially when the subject was heavily back-lit. If you’ve never shot with a 24-70mm lens before, you’re in for a treat. See where I’m going here? Sony has its 10-18mm zoom, and third parties like Venus and Zeiss offer wide-angle prime lenses for the sensor format. In fact, I’d go as far as to say it’s my favourite lens for a crop sensor Sony body such as the a6000. As mentioned previously, I’d also like to hear about your favourite 3rd party lenses which you use mount on Sony camera bodies. If you own a Sony crop sensor body and crave the the advantages and flexibility of using a ‘real’ 35mm lens (as opposed to one that’s labeled ’35mm’, but converts to around 50mm on APS-C), the 24mm f/1.8 is simply the best lens you can buy. You can check the current price of this lens here – you’ll appreciate the fact that it’s over $1,200 cheaper than Sony’s f/1.4 G Master offering, and about $700 less than the f/1.8 Zeiss Batis version. Buy 40.5mm Wide Angle Lens for Sony Alpha A5000, A5100, A6000, A6300, A6500, NEX-5TL, NEX-6 Digital Camera That has Sony 16-50mm f/3.5-5.6 OSS Alpha E-mount Retractable Zoom Lens at Amazon UK. If you own a full frame Sony body (lucky you! Opening up your aperture to f/1.8 can mean the difference between a blurry image (caused by too slow a shutter speed) and a sharp one, (where using a wider aperture allows a faster shutter speed). Using Canon lenses on a Sony body is definitely possible via adapters like these, and it’s fun to experiment with other 3rd party lenses too, but I always recommend using a native lens where possible. 28mm allows you to get up close to the action, whilst still providing enough ‘room’ in the frame to tell the story via the background, or other foreground elements. Although technically it’d fit on a full frame body, you’d experience nasty vignetting unless you cropped the image in-camera. aperture [9] F8 aperture [10] R: Radial values T: Tangential values, 1. On the Sony a6000 I used for testing, auto-focus speeds were excellent, and JPEGs looked great straight out of camera. It makes the camera a joy to hold, has excellent image quality and won’t break the bank. GM stands for ‘G Master’ – the premium Sony e mount lenses, similar to Canon’s L series. Sony a7RIII +  35mm f/1.4 FE | © Gold Hat Photography. Free shipping on many items ... 4 product ratings - [Excellent condition] Sony A-mount 28mm F2.8 wide-angle lens. Wide angle lens; more Lens mounts. If you shoot with a Sony mirrorless camera that has an E mount, you have plenty of quality wide-angle lenses to choose from.On this page, we’ll take a look at eight of the best options. 16-35mm has also become popular with wedding photographers, particularly on the dance floor of all places. Not sure if my toes would, though. This means you can own a Sony a7 or a9 series camera and share the lenses with your Sony a6500, Sony a6300, Sony a6400 or whatever other Sony APS-C sensor camera. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.5 m Filter Diameter: 49 mm Size: 64.4 mm (diameter) x 70.5 mm (length) Weight: Approx. Lenses labeled ‘E’ cannot be used on FE-mount cameras (a7 and a9 series). Please contactCustomer Support, CareersContact UsCompany InfoVoluntary Recall, SEL TERMS AND CONDITIONSSEL PRIVACY POLICYCA PRIVACY NOTICEDO NOT SELL MY PERSONAL INFORMATION. Pixel peeking website DXOMark named it the highest-rated wide-angle zoom, with a sharpness score that blew the Canon/Nikon versions right out the water. Highly recommended! Yes it is. As for image quality, the 24mm f/1.8 is impressively sharp right across the frame, especially when stopped down to f/4. Highly recommended! Sony E Mount Lens 6.5mm f/2.0 Wide Angle Circular Fisheye for Sony Alpha Mirrorless Camera A6600 A6500 A6400 A6300 A6100 A6000 A5100 A5000 NEX by Altura Photo with Protective Hard Case. Sony a7RIII + 35mm f/1.4 FE | © Gold Hat Photography. For zooms, the f/2.8 G Master lenses are the cream of the crop, whether you own FE or E mount. 50mm is a popular focal length since it gives an un-distorted view of the world, and can be flattering for portraits, without making the subject feel detached like a longer lens might. For this reason, this little lens which I assumed would be relegated to shots of my kids on holiday actually sees a lot of use when shooting professionally. The 28mm field of view really encourages you to get in close for a sense of immersion, and f/2 can help direct the viewer’s eye by blurring the foreground and/or background. One unique advantage of the 28mm f/2, is that Sony also produces two handy converters that can change the focal length of the lens – this one that makes it 21mm; and another one that makes it a 16mm fish-eye! Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. If you’re looking for a wide angle zoom lens with the best image quality and can justify the price tag, there simply isn’t a better option than the Sony 16-35mm f/2.8. 281 g, Let’s start this review off with one of the sharpest lenses ever produced… all the way back in 2013! FREE Shipping by Amazon. All FE lenses are compatible with the Sony a6000 series and all other Sony e-mount crop sensor cameras. This compact 12–24 mm ultra-wide-angle zoom lens features the shortest focal lengths available in any full-frame E-mount lens, with stunning corner-to-corner G Lens resolution at all apertures. In addition, shooting near the 70mm end of the focal range at f/2.8 produces creamy bokeh that turns out of focus elements into mush – very useful for unsightly backgrounds at weddings, for example. A nice touch is a ‘focus-hold’ button on the side of the lens, which can be customised to control various other functions – I have mine set to control Eye AF. Check out the video below to see the features that put the GM lenses one step above all the others in the Sony lens catalogue. You can see the latest price of this Sony mid-range zoom lens here. 886 g. If you want one lens that can handle pretty much any shooting scenario and produce clear, vibrant and sharp images with incredible detail, the Sony 24-70mm f/2.8 should be at the top of your wish-list. 20mm, 21mm , 24mm, etc. I was pleasantly surprised with how much bokeh can be produced at f/2 with this lens. If you want to know what lenses to buy for your Sony camera first, this quick summary should help: If you’re looking for an affordable, fun and tiny prime lens for your Sony APS-C sensor (E mount) camera, the Sony 20mm f/2.8 is my pick. Wide Angle Sony e-Mount Lens Comparisons. Distortion is typical for a 24-70mm lens, with pronounced barrel distortion at 24mm, although it’s all easily fixable in Lightroom. If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the 55mm f/1.8. The f/4 Zeiss version is an affordable and tempting alternative, but you’ll be left wondering how much better your image could have looked…! One nice touch is the aperture ring which allows aperture adjustments to be made on the lens. It makes the camera a joy to hold, has excellent image quality and won’t break the bank. Wide angle lenses can’t really create much out-of-focus elements unless you get really close to the subject, but when you do, the Sony 28mm f/2 does a great job at creating subject separation. It is a prime super wide angle lens designed specifically for Sony mirrorless cameras with APS-C sized image sensors. Get the best deals on Sony A-mount Wide Angle Camera Lenses when you shop the largest online selection at eBay.com. 680 g. 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