Although July is often a quiet month for new music, hip-hop won’t be following suit over the next few weeks: New albums from Chance The Rapper, Maxo Kream, Big K.R.I.T., Kool Keith, and Westside Gunn are on their way, not to mention any surprise releases that are sure to arise.
It’s so obviously constructed to be a “message” episode, and the message is far from subtle: No matter what we try to do to make them equal, men are always going to turn women into objects on some level, because that’s just how men perceive them. The Walking Dead just drove right past the goddamn fireworks factory. … Club contributor. Favorite Anthology Movie. In total, 368 critics, academics, industry figures and film programmers, from 84 … But trust me, it's intelligent, different and sensitive. Over the course of the past decade, Lucrecia Martel has established herself as one of the most gifted and original filmmakers around. What I don’t get is why that desire has suddenly become something that’s supposed to matter. She rounds up all the movie posters, TV advertisements and so on that feature women's bodies, typically draped over male lead characters, with their heads cropped out … Everything that happens for the rest of the picture is set in motion by this single jarring event, and what we understand about the protagonist’s subsequent behavior will largely depend on our comprehension of these first few minutes. Hawley’s back! The unnamed character in this 1976 song bears more than a passing similarity to Zevon’s stock male narrators: alcoholic, dissipated, broke, and delusional. One might see an overnight sensation in Pugh, a breakout whose talent seems to have arrived fully formed, but, as Mashable points out , her career began like it does for so many Hollywood hopefuls: On YouTube. I get why he’s into her. It is a road to nowhere, it is a map without any road. Because she has lost her head in that accident and as a viewer you just follow the road you may feel is the right to understand Vero and the story. BBC Culture polled film experts around the world for their favourite films directed by women. Initially, Margaret Atwood's smoothly mysterious anthology Moral Disorder seems like a collection of otherwise-unrelated short tales of transformation. Her work also appears on Showbiz Cheat Sheet, INSIDER, Bustle, Refinery29, and Elite Daily. Jep is a writer, though he doesn't really write. In the first story, "The Bad News," an unnamed first-person character and a man named Tig process a generic run of modern bad news; midway through, their perspectives change, and they're Roman citizens, discussing the barbarians crossing the Rhine. “The Other Woman” shouldn’t work. "The Great Beauty" is a character study that presents contemporary Rome through the eyes of Jep Gambardella (the brilliant Toni Servillo), a simultaneously overstimulated and underwhelmed taste-making intellectual. Mostly, she again succeeds in the accumulated effects of her dense soundtrack and artful compositions; where other filmmakers might see themselves as storytellers, she evokes this woman’s narrow perspective in every minute detail. Highest Rated Movies of the 2010s. And with Hawley comes a subplot that I’m struggling to care about: Hawley wuvs Abbie.